You are currently browsing the archives for 9 November 2009

Buying the Correct Subwoofer Takes Some Work

  • Posted on November 9, 2009 at 5:50 pm

The correct car audio subwoofer will add that deep rich sounding bass that is missing from any OEM car sound system.  Of course to produce great sound, you have to select the correct subwoofer for your specific system.  The challenge comes in selecting the correct subwoofer for your specific car or truck from the hundreds of subs on the market.

The shopper first should decide upon what size subwoofer he wants to install.  Through the years, I’ve met many shoppers after they had made the wrong decision and were unhappy with the results.  While car audio subwoofers are available today in sizes from six to fifth teen inches in diameter, shoppers are sometimes surprised at the volume produced by even the smallest of subs.  A subwoofer’s capability to produce a certain amount of bass is dependent upon the amplifier as well as the subwoofer enclosure.

Available space usually dictates the size sub box that can be installed.  Custom subwoofer boxes will produce excellent sound quality even from a wide range of subwoofers.  A custom-fit subwoofer enclosure is a sub box that has been made to fit in an “out of the way” location and usually results in a factory look when installed.

If no custom fit box is available, your next choice will be standard sealed or ported truck subwoofer boxes.  Your choice of sealed or ported will be governed by the specifics of the subwoofer you select.  The easiest way to shop for a universal subwoofer enclosure is to check your box measurements.  While ported enclosures generally produce louder bass, they also require more space then sealed boxes.  So measure your install area first, match a subwoofer that you like to the boxes volume or air space.

The final step in adding a subwoofer is to match it to a good subwoofer amplifier.  Again you have to check your subwoofer’s spec sheet to determine the proper power requirements.  This all might sound like a lot of work but the results are well worth the effort.  As you might guess, there are several variables in the selection process that I can’t discuss here.  Be sure to click through to see detailed articles on selecting the correct components for a subwoofer installation.

Fundraising Ideas for Schools

  • Posted on November 9, 2009 at 8:30 am

Fundraising has always been a major source of income for many organisations such as community groups, sporting clubs, and the Parents and Friends (or Parents and Citizens) Associations of schools. With limited financial help from governments, nearly all of these establishments would not be financially viable without the tremendous and tireless fundraising exploits of their members. For instance sporting clubs charge membership fees but with outlays ever increasing, it wouldn’t be possible for them to exist financially without fundraising.

The kinds of fundraising opportunities these days are many and varied. There’s a plethora of fundraising entities out there trying to entice organisations to use their services. From selling bottled water, wrist bands, homewares, clothing, jewelry and show bags to equine riding, shopping tours and engraving bricks and pavers. The alternatives are truly amazing and seemingly endless.

Schools and sporting clubs have traditionally stuck by the time honoured methods of fundraising by selling donuts, lollies, chocolates and biscuits. Over old few years, nevertheless, because of child obesity issues from poor eating habits and below working out, most of these conventional fundraising products have started to fall out of favour with fundraising entities.

This has allowed the less traditional fundraising ideas to acquire a foot in the threshold so to speak of this multi-million dollar industry.

So where do you turn to when you like to get started with fundraising? Say for instance your child is in their second year of school, and you have determined to become more actively involved in the comings and goings of their school. You attend the first P and C Association meeting of the year, and you end up on the Fundraising Committee for the year. You want to impress your peers; you want to do something positive for the environment and do the job successfully.

There are many reasons why the school may need to fundraise. It may need funds for quite a few extra computers in the library, or new playground equipment or maybe they would like to see a roof over a new walkway. How you should behave, where to get started to raise the required funds? Presently the majority of people are turning to the internet.

The internet has become the hottest and powerful tool for locating details, much more widely used now than the local newspapers or the yellow pages. When looking for ideas or information, most people now don’t consider any options apart from the internet. There are many search engines for sale to the internet user, such as Yahoo!, Bing, Altavista, Ask and Lycos. But by far the hottest search engine on the web is Google.

ComScore is a marketing research company that provides marketing information and services to nearly all of the internet’s largest businesses. According to estimates discharged by comScore at the conclusion of 2008, Google ended the year with 63.5 percent market share of all search queries performed in the U.S that year! That is a huge slice of the pie.

Google provide a Keyword Tool, which allows access to info regarding the hottest search phrases used by internet users when searching on Google. The hottest search terms used for Google for fundraising are as a matter of fact fundraising, fundraiser, school fundraising ideas, fundraiser ideas, ideas for fundraising, fundraisers and fundraising ideas.

The consequences from all of these searches show a broad variety of sites that the user can access, the majority of them being fundraising directories that list many hundreds of fundraising entities offering their services.

One of the best websites in these search results appears to be goldstar.net.au which is the web address for the Brisbane based company Gold Star Gifts and Stationery. This company supplies novelty stationery and gift items to schools, clubs and organisations Australia wide for fundraising purposes. They provide free delivery, no upfront costs, and the fundraising entity keeps 50% profit from the sales of their products. So if you’re looking for fundraising, fundraising ideas or ideas for fundraising, check out Goldstar today.

Secrets of A Leading Conference Organiser

  • Posted on November 9, 2009 at 8:08 am

There are several types of conferences; the dictionary definition of conference says “A meeting for the exchange of views”.

My interpretation of conference, being a conference producer, is a place where people meet to confer and share knowledge. In the sharing theme I have decided to detail the elements required to ensure your conference goes smoothly. Whether you are getting a conference production company like mine to do it for you, or if you are going to manage it yourself, follow this outline and you can be assured that if you have made ample allowances for each of the items then your attendees (usually called delegates) will have a great day out.

There are many different types of conferences, one of the most popular types are seminars which are normally an academic style forum where people go to learn about a specific topic.

I mention Forum above because this is probably (at least to my knowledge) the oldest type of meeting or conference that I am aware of. My partner Sam will cringe at this, as when I discuss my work, I always have to get the Romans in somewhere! A lot of the passion in my work comes from Roman history.

A Short History of Conferences

The forum as many people are aware was the centre of power in Rome for many hundreds of years, a Roman general would return from a successful campaign and he would have been received at the forum and made a speech from the rostrum to the people of Rome, about what he encountered on his travels and how he overcame the challenges he faced.

So for thousands of years people have been having conferences around the world, the tools for doing the job have changed, but I can imagine and have indeed read about, the effort and organisation that went into preparing for one was as important then as it is today.

Things haven’t changed much no matter how large or small a conference is, there are some rules that we must all follow, if it is to be a successful event.

The Right Venue

Once you have a reason to hold a conference and an audience to attend the next step is venue selection, this is crucial as you will need a room large enough for the numbers attending, without being too large. If you are going to have a conference set with rear projection then the throw distance has to be taken into account when you are looking at the room, (I will come onto throw distance later when thing get more technical) as this uses space too.

Once you have a main meeting room suitable for your delegate numbers, you then have to consider where they will have tea and coffee breaks for networking and if there is potential for setting up display stands for other products.

Successful conference productions are sometimes determined by the proximity of an airport if the majority of delegates are international visitors.

Remember if you are going to do the job right you are also responsible for the delegate experience prior to arriving at the venue, you want them to have a pleasant journey and feel as relaxed as possible on arrival so venue location is very important, as is the type of venue.

Conference Production

Once a venue has been selected and it fits with all the criteria above, then it’s time to give your production company a call, they will normally recommend a site visit, so the room can be measured to check all of the conference production elements fit within the room available. There is nothing worse than turning up on the day to find something wont fit!

There are various different styles of the seating and this is an important consideration. There is theatre style seating where the delegates sit in rows next to each other. Then you have classroom style seating where delegates sit next to each other with a slim table in front similar to when you might take an exam. Then there is cabaret style seating which is where delegates are seated on round tables normally 6 feet in diameter.

After your production company has completed the site visit they will propose the elements of staging you require to achieve your purpose. This will include stage and set, video projection, sound, lighting, crew levels and any pre-production requirements.

Pre-production

Not all conferences require pre-production, for example if your conference has PowerPoint slides you may want your production company to create them for you, a lot of companies now have the expertise to do this in-house, but if that is the case they need to be of a professional standard.

You may want a video to be created, there are different types of messages you could utilise a video for, for example, a short opening sting, like an advert, to give an uplifting start to your show. Some of the best events start this way and it also helps to ensure you have got everyone’s attention!

Sometimes there may be presenters that can’t attend so you could have them videoed prior to the event and then played back during the conference at the appropriate time.

Not all presenters are comfortable with presenting, so a speaker coach may be a good idea, the coach will do as much or as little as is required. Usually they will come into your offices and asses the presenters, presentation techniques and will advise accordingly.

For a very large events management project you can hire a specialist production company to deal with everything from finding the venue through to delegate badges, or if you are gaining more experience in conference production you can use the company to perform he functions you still need help with.

However, if you decide to do it yourself, then below are some useful hints and tips to creating your own successful conference production.

Set and Staging

A conference set is usually a timber framed construction covered in a material of a colour that fits the client’s corporate colours, normally this would have an aperture in it for rear projection with a screen, the screen should be large enough for all of the audience to see the content on the screen without too much trouble.There is nothing worse than being on the back row and not being able to see the screen, especially if it forms a major part of the presentation.

The base of the screen, known as the under panel, needs to be at least 1.2m (5ft) to ensure the audience has a clear view over the heads of the people sat in front of them.
This is where the ceiling height comes into play. For example if you had a screen height of 2.5m, a screen base of 1.2m and a screen header, above the screen, of 300mm the minimum ceiling height required is 4m.

There are many different styles of set you can use, many companies have a stock set option which is pre-built, when it is used it is recovered to suit the client’s corporate branding. Other styles of set include a bespoke set where you consult a designer who will take a brief from you regarding the theme of the event and come up with a purpose built set with various options. This is of course more expensive compared to the standard stock set options. Provided you use a competent production company a stock set will do the job fine, unless you need something really different.

Whether you decide on a stock or bespoke set it is advisable to have some scale floor plans created to ensure all the elements fit into the available space and most production companies will do this in-house. if you went for the bespoke option you would receive some 3D drawings so you can visualise what the set will look like in the space where it is going to be located.

Once the set has been decided upon then the stage will also need to be included in the plans. The most cost effective stage option for corporate events is a standard stage the width of the set, which is normally about 2.5m deep and 450mm high.

The size also depends on what you want to have on stage during the conference, for example if you are going to have just one lectern or two, or if there is a requirement for a top table or some comfortable chairs and a coffee table to facilitate a more relaxed question and answer session at the end of the presentation.

Video Projection

Video projection is required if you want to put an image on the screen behind the speaker. The image can be data or video playback or indeed both. At small conferences this may just be a data projector and a laptop, controlled from the lectern, either with the client pushing buttons or with the help of a remote mouse so a presenter can move around the stage area freely.

You can also use a stage monitor screen so the presenter can see the slide changes without having to turn and look at the screen, the presenter should never have their back to the audience. To enable this you will require what we call a VCA DA this piece of equipment splits the signal from the laptop to both the projector and the stage monitor screen.

If the presenter is more akin to speaking than using a computer and doesn’t want to control their own slides then a cue light system can be used. This is a hand held controller that when pressed sends a signal to a light backstage and a technician then forwards the slides for the speaker.

If you want to play DVD’s you will require a DVD player with a preview monitor and a switcher. There are many different switchers you can use but it is recommended that if you’re going to play a lot of videos during your event then a good quality data switcher should be used.

So you’ve got your data projector, your cue light system, your stage monitor and your DVD playback.

How else might you improve upon the video projection element of your corporate events and further enhance the conference?

Recently I did an event which had a live camera feed. Much the same as you are used to seeing a music concerts, where there is a large screen showing the view from a live camera.

The client wanted this for two different reasons firstly there was a presenter that didn’t have any PowerPoint slides except a name slide, so when he was presenting we had a live camera feed on the screen so the audience had a more up close and personal experience with the presentation. Then we utilised the live camera feed during the question and answer session for the same effect.

The second reason was that the client wanted to use some footage for the internet like a webcast. Certain elements of the conference were edited out and compressed for the internet so that delegates who were unable to attend could get a feeling of the content of the conference|, simply by watching it on their PC’s}.

Sound System (Public Address PA)

The sound system can range from a couple of speakers and one microphone in a small conference for say 50 delegates, or multiple speakers and microphones for up to thousands of delegates.

The basic sound system requirements are speakers, amplifiers, microphones and a mixing desk.

The speakers are generally on stands, however if you are organising a large conference they may be able to be flown from truss above to give an even coverage in the centre of the room.

In the event that you do have a very large audience than a delay line is required, this ensures that the signal reaches all of the speakers in the various locations around the room, or venue, at the exact same time removing any echo.

There are various different types of microphones, the most commonly used these days are the tie clip radio microphones which enables the presenter the freedom to walk around the stage without having to worry about a trailing cable.

If the presenters are going to stay at the lectern then lectern microphones which are wired are more suitable.

With regards the amplifier, most professional amps will run four speakers so if you need eight speakers for good coverage then two amplifiers will be needed. When the amount of speakers and amplifiers is specified, the next piece of equipment required is a mixing desk, generally people who are doing their own event don’t plan for this, but it can be the one piece of crucial equipment that makes the difference between an amateur and a professional event.

The mixing desk takes in all the signals that need to be heard through the speakers, such as the microphones, CD players and video playback. Once the equipment is plugged into the Mixing console, a feed is taken out of the desk and into the amplifiers, then from the amplifier to the speakers.

After this has been done the sound engineer then equalises the system which in layman’s terms means making it sound good in areas of the room. A well equalised sound system will have the feeling for the delegate, that the presenter is seated next to them not shouting from the front of the room.

All mixing consoles have a basic equaliser on the unit itself, however a professional conference producer will know it is advisable to get a separate graphic equaliser which has more options on it.

In a very large room it is recommend having what is called a multicore which as the name suggests is a cable with multiple cores inside it that carries the signals up and down the room from the control position from front of house to the control position backstage.A multicore cable is a much tidier option and means you only have to run your cables once.

Lighting

Lighting is one of the most important visual elements of the conference. If you don’t have the luxury of a bespoke conference set then lighting can make all the difference.

There are several different types of lighting available, there is up-lighting normally provided by Par 64 floor cans, which you will recognise from seeing any professionally staged event. These can have coloured gel in them to add a set wash. There are also Fresnells which is a type of lamp which can hang from a truss or floor stand and again these can have a coloured gel in them to provide a set wash or coloured lighting effects. Profile lights are used to highlight elements of the set such as logos, steps or other details.

The most modern type of lamps on the market are LED lights. They are the most expensive type of lighting but they are worth it if you have the budget, the beauty of this type of lighting is that it can change colour at the press of a button|, which saves having to use gels to set the colour, and of course is a much more flexible for of lighting. I am sure you have seen LED lights being used all over the place these days, in torches, in mirrors, in cars, there are even some new cats eyes in the road that use LED lights.

Once the Lighting type and style is specified then it’s a good idea to get a lighting designer involved.

The designer will specify the type of lamp, where it should go, and what it’s going to do, if possible it’s best to hang lighting on a truss in front of the set, as opposed to using floor mounted stands. After the lighting has been decided on then it will need power, this usually comes from the venue supply via a dimmer rack to the lamps. A mixing console then controls the different stage effects which the lighting designer programs in.

Crew

The crew is very important as they pull all the elements of the show together, professional conference production companies will know the value of a crew communication system which comprises of headphones and belt packs for each crew member allowing them to communicate with each other.

On larger shows we have a production manager and if required a conference producer, either one of these will show call, which means they will tell the crew what they should be doing and when they should be doing it. For example, when a video is due to be played they will let the video engineer, the sound engineer and the lighting engineers know in advance so they are ready when the caller say run VT.

Transportation

Again transportation is a crucial aspect of any event, or else how is everything you have ordered going to get there at the right time on the right day? The size of the vehicle is dependent on the size of the show, it can be anything from a transit size van up to an arctic with a 40ft trailer. It is the responsibility of the conference production company to decide on the type and size of transportation, but remember if you are booking a venue and it’s a large show that requires an arctic then make sure the vehicle can get into the loading bay! Fortunately it is not from my own experience that I have learnt this but from watching a competitor learn the it the hard way many years ago at an event I was working at!

In Summary

Organising a conference requires a lot of forward planning, the more you put in to it before the event the smoother it will run on the day.

Remember to look after your crew because they are the ones who enable it to all happen, look after your presenters because they are the ones it is happening for, and most importantly look after your delegates if you want it to happen to them again in the future. If you follow these basic rules that then you will have a successful event, good luck!

Lower Blood Sugar And Other Benefits Of Aerobic Exercise

  • Posted on November 9, 2009 at 7:58 am

Aerobic exercise is one of the key ingredients to a healthy body. While weight training is helpful in sculpting a great figure, aerobic exercise is the cornerstone to any workout and it is the foundation for a healthy lifestyle. Not only can aerobics help you stay in shape, these exercises can also help your physical well being.

People who have diabetes benefit from aerobic exercise. The workout helps keep blood sugar levels on target. Simply taking a brisk walk three times each week will lower your blood sugar levels significantly. This will help you avoid complications caused by diabetes over the course of time. Such complications include heart disease and kidney failure.

Your heart will thank you, too. Healthy aerobic exercise will strengthen your heart muscle and this helps the muscle to pump more blood with each heartbeat. The benefit of this is your heart does not have to work as hard to get the same amount of blood through your system. The less blood that flows with each pump, the more beats per minute required to get the job done.

This improved blood flow benefits all part of your body as well. Good circulation is a boon to every inch, providing oxygen and nutrients to the cells. A strong heart provides the blood flow necessary to keep the body well-fed. It also insures that the body gets enough oxygen to help it function to its greatest capacity.

Your mood will also improve if you engage in consistent aerobic exercise. This type of exercise helps elevate your mood and it helps give your body the energy it needs to complete everyday activities with ease. Aerobic exercise is also a great way to relieve stress and anxiety.

Many women worry about osteoporosis as they get older. The signs of osteoporosis can become apparent in the early 30’s in many women. Adding weight bearing aerobic exercise into your weekly routine can help your body build strong bones. One of the most popular weight bearing exercises around today is walking.

Individuals who suffer from conditions like arthritis will benefit from low-impact or no-impact aerobic exercises like swimming and aqua aerobics. These kinds of workouts are very good to your joints. Many believe that these activities actually improve their mobility in the long run.

Of course, all of these benefits are of great interest to all of us. However, many of us like to engage in aerobic exercise because we want to manage our weight. Combining a healthy, well-balanced diet with aerobic activity can lead to the most popular benefit of all; a beautifully healthy body.

Check out this site to get more info on how to lower blood sugar levels and specifically:
How to Lower Blood Sugar Levels – Simple Tips. Have fun and stay healthy!

Make money from Shooting Stock Photography

  • Posted on November 9, 2009 at 7:44 am

Introduction

Welcome to An Insight into Stock Photography. This article is based on a talk given at Focus on Imaging 2007. I hope you find it interesting. Just remember these are my views only, they are not gospel and have been put together based solely on my experience of shooting and selling stock photography, primarily through Alamy and photographic magazines.

We’ve seen a lot of change in the markets and the economy in general. This has affected the stock photography market. But don’t lose faith , magazines and newspapers have an insatiable appetite for images.

One Approach

Having many options – and finding opportunities to build a business in photography. And stock photography is just part of that – a chance for someone else to sell your images for you and to for you to get paid, while off doing something else. It’s like having commission only sales people working for you. The thing is you have to give them something saleable but you can’t give them a kick up the backside if you’re not selling much!!

Some professional photographers don’t do it, some do, some make a living from it. The choices and balance is up to you, as a commercial photographer I do some of it.

It may seem like an uphill challenge but it’s not and it’s within most people’s reach . Provided you understand the customer. This applies to both the Picture Library and the Ultimate Buyers.

Take a look around you. Pictures are everywhere – the printed media in its widest context has a massive need hunger for images on a daily basis.

Humans generally don’t like reading online – well not for very long – they like tactile magazines to flick though and dip into and if they didn’t, the magazine industry would be long dead by now – wouldn’t it !!

Every magazine, exhibition, web site, company brochure and newspaper all need pictures on a regular basis – and if they don’t have it or can’t send a photographer to go out and shoot it – then they’ll buy it.

Printed media works on deadlines that go right down to the wire, so immediacy is important and the shots can’t be the same old ones used month in month out.

The corporate buyer generally will work to longer lead times and less tight deadlines – but not always – the images they buy can be more general or iconic – like these motivation posters you see in some offices .

Take for instance a sports shot of runners on a track – you might see it in the sports pages of a newspaper for a day, then maybe in a Athletics magazine that month – but it can soon become a poster with a motivational statement “Defeat” or “Winner” that has a whole new market.

So where are you – the photographer – in the food chain so to speak. Take a look below.

• The Photographer
• The Stock Library
• The Picture Buyer

You’re on the top of the list with the image library between you and the buyer, but at the bottom of the food chain when it comes to getting paid. But whilst you need to meet the technical requirements of the library and other submission requirements, it’s the picture buyer you must be thinking of long before you even contemplate picking up the camera.

The stock library will do the sales and marketing of your images, for a cut which varies from library to library, but they must have images that buyers want.

Before you sign up, read through the agreement and see if the set up suits your requirements.

Diverse Sectors

Each of these publications, Gossip magazines, The Times Newspaper, Corporate Publications, serve a different market – but each buy photos from Alamy to mention just one library – they also buy from many others too – in order to make the publication that day, week or month.

So what sort of pictures do these publications buy? Well it’s very varied. Just glance through and look at the side of the shot, it’s likely to have an image source next to it.

• Take a Break – items / products, staged poses – youth etc.
• Daily mail – travel
• Environment – utilities, waste, pollution etc, – front cover.

Get Rich Quick – NO!

Some say it’s a numbers game – true to some extent, but the way I look at it is this, if you’ve got 10,000 images of shots that won’t sell – you’ve got very little.

For me as a professional photographer that provides photography services, it’s the long term view – looking to build up and maintain a set of saleable images.

Remember pictures are perishable – i.e. – they become stale – and this will vary dependent upon the industry sector or subject they relate to.

Transport, fashion, IT, business, communications all need, in my view, re-shooting each year. For example a man in a suit by a computer the size of a house in the 1950’s isn’t the modern industry image of today.

Wildlife, sky scenes, landscapes, travel pictures – less so – but look at any developing city – take London – since the Wheel and the Gherkin went up all the skylines are different, also look at Dubai – developing all the time.

Easy money – no it’s not – but you can build up an underlying income if you think about saleable pictures and keep them relevant – remember they have to illustrate a story – so need to tell a story in their own right.

What is Stock

So let’s take a look at how you get in and who there is to choose from. Each Library has its own benefits and key target markets, so find one that suits you and what you are good at shooting.

• Getty
• Alamy
• Comstock
• Jupiter
• Superstock
• Fotolibra
• Istockphoto,
• Pixtal
• Jumpimages
• Adams
• Nevstock

Most will have web sites and these will stipulate how to join of make submissions.

$ Sites

For me I don’t like them and here’s why. I’m going to set you a challenge and at the end of it I will buy the photograph from you. So you go and shoot a subject you like, do your research, do the shoot, post produce the image and upload it to my site and hey presto – I pay you 50p at today’s exchange rate — any takers ? I rest my case!

Submission Rules

All picture libraries will set technical requirements and these will vary depending on how much server space they want to invest in.

Alamy work to 48mb TIFF minimum – 1, to keep the bar high enough that only the serious photographer applies and 2, to give their customers’ choice and immediate access to high quality images. Now they’ve changed this from the above to accept JPEG images – so your file size is down to around 8 meg.

Others work on thumbnail sizes then let the buyer contact you. Personally, I think, trying to judge a shot off a 100 or 200k image is not doing the shot justice.

Others specify minimum standards of camera / model, or make you go though an approval or recommendation process. The thing with this is to find a library that matches your needs and capabilities. Also the amount time you have available to dedicate to stock photography.

Licenses

Non-Exclusive License

The buyer pays a licence fee each time they use the picture , but another image buyer can also purchase and use the image under the same licence.

The image buyer must specify, each time: intended use, media, territory and duration.

Pricing is based on intended use, media, duration and territory. The territorial pricing will be matched to the specific country.

Exclusive License

The picture buyer pays a licence fee each time they use the image.

The image buyer obtains exclusive use of an image under the terms of the licence: these terms may affect the use, media, territory and/or duration in which the image can by used by other buyers.

Rights protection can be an advantage for high-profile projects such as ad campaigns and promotions.

Royalty Free (RF)

The picture buyer pays a one-off fee – they do not have to pay royalties to contributors on a use-by-use basis.

The image buyer will not know who else is using the image.

The picture buyer should check that the image has the appropriate releases before using the image where a release is required, for example Model release for people and property release for prominent buildings or logos.

Commission

  • 50/50
  • 60/40 but with global distribution
  • 70/30
  • 80/20 – Photographers Direct

Again find a picture house that works for you and also find out when you’ll get paid and any minimum balances you must have to get paid. Sometimes you can wait 3 months for your money.

Work Flow

As a provider of photography services I shoot RAW and make minor adjustments to images. Now I’m using Adobe Lightroom in place of Raw Shooter and it’s speeded up my work flow considerably. Photoshop – I use this far less now but only to colour and touch out any dirt or what might look like dirt – by this I mean the occasional bird in the sky can look like sensor dust if it’s a way off in the distance. Resize your image. Output the file to the required format.

Then depending on the library upload over the Internet or cut a CD / DVD.

An Example

Take an older camera the Nikon D70 – 6.1 mega pixel camera. Raw files were around 4 or 5 MB and a TIFF was at 17MB with the JPEG at 4MB.

To meet the submission guidelines you need to Interpolate the image – make it bigger. In Photoshop this was Image > Image Size>Percent. Increase by 168% to give a 48 – 50 MB sized image. Then Save as Jpeg – 5 – 7MB.

I now shoot on a Nikon D300. RAW files are now 18 – 19 mb, opened in CS3 at 34 mb – requiring interpolation by only 20%.

What I’ve Sold

Wonderful sunsets, superb travel pictures, glamour images, or maybe my Dad’s cat! These are just a few examples of shots that have sold.
My dad’s cat, police cars, road signs, street scenes in New York, studio models and traffic jams.

Finding More Value

There are plenty of magazines that will promote your sold work, FPME (Now out of print March 2009) is just one of them and if you have sold a shot just let the editor know – chances are it can earn you some more money.

Not only that, look out for sites like Photographer Direct that provide an Image Request service – all you need to do is send 1 email. Also look to the corporate clients – they too may take an image if it fits with their style – be brave, make that approach, but do your research first.

Top Tips

 

  • Find a image library that suits you
  • Don’t be put off by submission guidelines
  • Know your end picture buyer
  • Start shooting what you are comfortable with – then move on
  • Check out what pictures already exist
  • Read the Picture Needs
  • Remember pictures images are perishable
  •  

    Check out how many images of your subject matter already exist in a library, then ask yourself – can these be improved, shot differently or updated.

    Read the picture needs issued by Stock libraries, they tell you what sells and what is needed, don’t ignore them.

    Thank you for reading this article, I hope you found it interesting, should you have any questions, please feel free to make contact through the web site.

    Author : Peter Davey Ma DipM
    First edition Feb 2007 – updated March 2008 and March 2009 

    The Essentials Of Working With Foreign Exchange Info

    • Posted on November 9, 2009 at 7:35 am

    Knowing the nitty-gritty of the foreign exchange market is key to making a profit there.Knowledge of the basics of technical analysis is not enough because the foreign exchange markets are operating on more than the mathematical components. Consequently , an ill-timed trade could be the end result.

    Global and local news as well as ongoing events have a great bearing on the foreign exchange market.While finance related news certainly yields the greatest effect, other non-finance but major events have their own impact too.These could either be unanticipated or foreseen.

    A volcanic eruption or a major pandemic are illustrative of such unforeseen events that impact the currency market.Stop-losses are just about the only remedy in these cases.

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    Expected events are like presenting the World Expo venue to a country.Its local currency may feel an increase in currency value due to investor confidence.

    Conversely, the countries who were not selected may be affected negatively.Thus knowing the timeline for such events and the entities concerned is crucial .

    Daily status and analysis about the financial sector have parallel effects.Data on the nation’s economy while infrequent , are pretty much anticipated.

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    It must be remembered that forex trading involves two countries.While trading in your native currency allows for accessibility to key economic data, it also allows one to overlook the importance of events and data in the second currency.

    Overlooking other currencies is more common in America because the US currency is always on the foreign exchange news.Trading the greenback to a relatively smaller currency further boost this effect.One must ensure that his data is impartial .

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    New traders must also be very aware of these other aspects of basic analysis in the foreign exchange scene.For such upstarts, anticipating key events and departing the market before they take place is the prudent thing to do.

    In time, as you acquire more skills and feel for the market, it is possible to acquire a trading method premised on the analysis of the fundamentals.Though before this happens, you must first establish a firm foundation in forex nitty-gritty .

    Disclaimer: FX trading is high-risk, may end up in substantial losses, and is not appropriate for everyone.